Friday, December 20, 2019
Analysis of Relationships in Their Eyes Were Watching God...
Zora Neale Hurstonââ¬â¢s Their Eyes Were Watching God tells the story of Janieââ¬â¢s journey towards spiritual enlightenment and her development of individuality, largely through Janieââ¬â¢s relationships with others. Hurston uses the themes of power, control, abuse, and respect, in Janieââ¬â¢s relationships with Nanny, Killicks, Starks, and Tea Cake, to effectively illustrate how relationships impact identity and self-growth. It is Janieââ¬â¢s relationship with Nanny that first suppresses her self-growth. Janie has an immense level of respect towards Nanny, who has raised Janie since her mother ran off. The respect Janie has for her grandmother is deeper than the respect demanded by tradition, from a child toward his caretaker, probably becauseâ⬠¦show more contentâ⬠¦Itââ¬â¢s wherever Ah need yuhâ⬠(31). In Their Eyes Were Watching God, Zora Neale Hurston emphasizes that respect empowers. When Janieââ¬â¢s respect for Killicks dwindles, so does Killicksââ¬â¢ power over Janie. Killicksââ¬â¢ lack of power in his and Janieââ¬â¢s relationship is evident in Janieââ¬â¢s fearless refusal to be Killicksââ¬â¢ workhorse. Killicksââ¬â¢ desperate desire to control Janieââ¬â¢s love for him (or lack of love) manifests into verbal abuse, through which he tries to cut down Janieââ¬â¢s sense of security in herself by telling her that there arenââ¬â¢t ââ¬Å"no moââ¬â¢ foolsâ⬠who would be willing to work and feed Janie, especially after her attractive body loses its youthfulness (30). Interestingly, it seems that Janie has more power than Killicks in their relationship, in the sense that her words and actions send Killicks into fits of ââ¬Å"resentful agonyâ⬠(31) and cause Killicks to react so desperately that he ends up threatening to kill Janie with an ax, and seconds later, to cry in front of his wife (31-32). Janie leaves Killicks not on the premise that she can take care of herself, or even that she is in love with Starks, but that Starks will make her happier than will Killicks. The ending of Janieââ¬â¢s and Starkââ¬â¢s relationship, therefore, marks not Janieââ¬â¢s growing sense of self-sufficiency, but a small increase in self-growth in the sense that she has a clearer idea of what she is looking for in love. Janie beginsShow MoreRelatedAnalysis Of Their Eyes Were Watching God 1477 Words à |à 6 PagesNot to Speak In the novel Their Eyes were Watching God, the main character, Janie, faces an inner battle in her three marriages, to speak or not to speak, which manifests itself differently with Logan, Joe, and Tea Cake. In her first marriage to Logan Killicks, Janie has her idea of what a marriage should look like shattered, as she failed to fall into the romantic idea of love that she held dear (Myth and Violence in Zora Hurstonââ¬â¢s Their Eyes Were Watching God). In her second marriage, to JoeRead MoreTheir Eyes Were Watching God1467 Words à |à 6 PagesIn the novel Their Eyes were Watching God, the main character, Janie, faces an inner battle in her three marriages, to speak or not to speak, which manifests itself differently with Logan, Joe, and Tea Cake. In her first marriage to Logan Killicks, Janie has her idea of what a marriage should look like shattered, as she failed to fall into the romantic idea of love that she held dear (Myth and Violence in Zora Hurstonââ¬â¢s Their Eyes Were Watching God). In her second marriage, to Joe ââ¬Å"Jodyâ⬠StarksRead MoreTheir Eyes Were Watching God Critical Analysis1502 Words à |à 7 PagesAn analysis of Zora Neale Hurston Their Eyes Were Watching God Certain goals or visions are often withheld for the simple fact that what we want sometimes does not look right in the eyes of people we hold dear. In The novel ââ¬Å"Their Eyes Were Watching Godâ⬠by Zora neale hurston, skillfully uses characterization to vividly portray how gender superiority impacts oneââ¬â¢s decisions in life. Janie Crawford the protagonist struggles trying to find who she is through the men she meets in her life becauseRead MoreJanie in Their Eyes Were Watching God by Zora Neale Hurston1046 Words à |à 5 Pageshatred but form their upbringing or skepticism. Janieââ¬â¢s story (profoundly economic in emphasis, as Houston Baker has argued) focuses on three representative husbands (Newman, Oct., 2003). Although the focal point of Their Eyes Were Watching God correlates with Janieââ¬â¢s relationship with her three husbands and other people. It is the main and primary idea of Janieââ¬â¢s search for divine clarification and a strong sense of her ow n identity. Janie is alone as seen in the beginning and the ending of the storyRead MoreEssay on Their Eyes Were Watching God921 Words à |à 4 PagesTheir Eyes Were Watching God An Analysis So many people in modern society have lost their voices. Laryngitis is not the cause of this sad situation-- they silence themselves, and have been doing so for decades. For many, not having a voice is acceptable socially and internally, because it frees them from the responsibility of having to maintain opinions. For Janie Crawford, it was not: she finds her voice among those lost within the pages of Zora Neale Hurstonââ¬â¢s famed novel, Their Eyes Were WatchingRead MoreAnalysis Of `` No One `` By Zora Neale Hurston And Toni Morrison881 Words à |à 4 Pagesimportant when choosing a method to interpret and analyse their art. Tackling the works of black female writers such as Alice Walker, Zora Neale Hurston, and Toni Morrison; and their respective magna opera, The Color Purple, Their Eyes Were Watching God, and The Bluest Eye, it is impossible to forget how their identities informed these narratives, especially when discussing a method for criticism. It is unsurprising that these works share many features, based on a strict ethos that places the narrativesRead More The Conveyance of Emotion in the Writing of Zora Neale Hurston1668 Words à |à 7 PagesThe Conveyance of Emotion in the Writing of Zora Neale Hurston Sharpening Her Oyster Knife: I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it....No, I do not weep at the world -- I am too busy sharpening my oyster knife. Read MoreThe Great Gatsby By F. Scott B. Fitzgerald1635 Words à |à 7 Pagesprotagonist in Their Eyes Were Watching God to the use of first person narration of a secondary character in The Great Gatsby. What is the effect of having Nick tell Gatsbyââ¬â¢s story versus Janie telling her own? Is Nick a reliable narrator? Is Janie? a While Janie tells her own perspective of her American Dream, Nick is under the impression of admiration towards Gatsbyââ¬â¢s American Dream. 3. How are women able to express power in each novel? a The women in both novels were able to express powerRead MoreEssay on A Postmodern Tendancy in Their Eyes Were Watching God1923 Words à |à 8 PagesTendancy in Their Eyes Were Watching God à à à à à ...Zora Neale Hurston lacks [any] excuse. The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits the phase of Negro life which is quaint, the phase which evokes a piteous smile on the lips of the superior race. -- from Their Eyes Were Watching God (1937), a reviewRead MorePsychoanalytic Criticism Of Frankenstein883 Words à |à 4 PagesBrittany James Mrs.Shelley Wisener ENGL 2321: Frankenstein Analysis Essay 29 September 2017 Title Citations Unsure to keep Better way to word this? ADD INTROOOO In Mary Shelleyââ¬â¢s Frankenstein there is a strong factor of Psychoanalytic Criticism, specifically the Oedipus Complex. The Oedipus Complex is derived from a child s need for their parents attention, as they mature they realize they are not the absolute focus of their [parent s] attention (Brizee 1995). In the child s mind
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